Japan’s Yayoi Kusama, one of the world’s most celebrated contemporary artists, has died aged 97, her company said Thursday, triggering tributes from around the world.
“One day, after seeing a tablecloth with a red flower pattern on a desk, I saw the same red flower pattern all over the ceiling, windows and pillars. It filled the room, and covered my body,” she wrote in her autobiography. After studying art in Japan, Kusama moved to the United States in the late 1950s, and — helped by Georgia O’Keeffe — made a splash in New York’s avant-garde scene. Returning to Japan in the 1970s, Kusama checked herself into a Tokyo psychiatric hospital, where she lived — and worked — for the rest of her life. – Soul ‘explosion’ – Instantly recognisable in her bright red wig and bold spotted outfits, her fame enjoyed a renaissance from the 1980s. “She conveyed her world view in a very unique way. “Vivid yellow and red. You see it and immediately you know it’s Kusama san’s work.
Born in 1929 to a wealthy and conservative family, Kusama began producing her unique signature art aged 10. Students Hibiki Karasawa, 20, and Hinata Sakamoto, 19, have visited Naoshima island and seen Kusama’s yellow polka-dot pumpkin in its setting by the sea.
The “polka dot queen” channelled hallucinations and battles with mental health into vibrant art featuring her trademark dots, nets and infinity motifs over a career spanning decades and continents. “Throughout an extraordinary lifetime devoted entirely to artistic creation, Kusama pursued an internationally acclaimed career as a pioneering avant-garde artist whose creative practice encompassed visual art, performance, fiction, and poetry,” a statement said, announcing her death on August 14. “She continued to paint until her final days, never setting aside her brush, and continued exploration of forever love and eternal soul,” it added. Despite facing discrimination as a Japanese woman, she won fame for bold, big paintings and provocative 1960s “happenings” featuring body painting and polka dots. She also launched a fashion line, established a “Church of Self-Obliteration” and styled herself the “High Priestess of Polka Dots” to officiate at a gay wedding. Her infinity rooms, pumpkin sculptures — including one on Japan’s “art island” Naoshima — and immersive installations still attract crowds and have sold for millions of dollars. “It’s a great quality to be weird and to express yourself no matter what,” Velislava Nuneva, a 21-year-old college student from Bulgaria, told AFP. Outside the Yayoi Kusama Museum in Tokyo, Nuneva said she was inspired by how the artist managed to succeed in the male-dominated art world of New York. Yasuko Minami, 58, called Kusama “someone who projected her inner soul in her works like an explosion”. “She expressed herself honestly,” Minami told AFP. “I feel her work was something that even those who may not be familiar with art can appreciate, with the vibrant designs and bold use of colour, or turning something like a pumpkin into a work of art,” Karasawa told AFP. “I love the way she uses colours,” said Sakamoto. Tim Cook, CEO of Apple, called the artist a “true visionary who showed us the power of boundless imagination”. “Yayoi Kusama’s creativity pushed the art world forward and left behind a brighter, more vibrant world for us all,” Cook said on X. tmo-kh-hih-stu/ami (This story has not been edited by NDTV staff and is auto-generated from a syndicated feed.) Earlier reporting noted: Japan’s ‘polka dot queen’ Yayoi Kusama dies aged 97 Japanese avant-garde artist Yayoi Kusama, known as the “polka dot queen”, has died aged 97, a statement from her company said on Thursday (August 27, 2026). Earlier reporting noted: “It is with profound sorrow that the passing of Yayoi Kusama at a hospital in Tokyo on August 14, 2026, at the age of 97,” the statement said. Earlier reporting noted: “Throughout an extraordinary lifetime devoted entirely to artistic creation, Kusama pursued an internationally acclaimed career as a pioneering avant-garde artist whose creative practice encompassed visual art, performance, fiction, and poetry,” it said.
